Film Analysis: Sleaford Mods' Jason Williamson Assumes Character in Sceptical Examination at Ecstasy Generation Era
Produced by Bristol sound co-founder Geoff Barrow, this scabrous if slight debut feature turns a sceptical eye on 90s rave culture. Self-serving pillhead David (the actor) first robs an passed-out supplier, then in another flashback tries to break into his own parents. Before you can say, he's overturned in the wreckage of his car in a forest – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with impatience toward city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Confrontation
Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to extricate himself from his seatbelt, while clumsily segueing into past scenes of his everyday life. The bigger point – that the rave-era youth were primarily out for themselves – is firmly made. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Woodsman arrives, fuming after David kills his dog. Still, a darkly funny duel takes hold – David desperate to escape; the Poacher denying his container of cider, determined to dousing him instead in resentful talk. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Music Video Sensibility
Just a single important plot development, but it results in a hilariously staged rampage on the forest trails that dips close to rural terror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full psychedelic grand display, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the UK video industry.
The film releases in British and Irish cinemas from 17 November.
